内容記述2 | Fanny Mendelssohn and Clara Schumann, who lived in the 19th century, were ‘female musicians’. In terms of professional musician, it is said that Clara lived all her life as that, whereas Fanny continued her musical activities as an amateur. When we see their lives on the point of gender-how women in those days engaged themselves in profession as musician, we find that what Fanny and Clara made develop their musical activities, after all, was affected not only by their fathers and husbands but also by their social backgrounds, such as classes, races, and families. Especially each father was a creator of his daughter's talent as musician through their educational view and its obstinate practice.
While Fanny stayed in her family in the typical frame of ‘modern family’ formed by the modern society, Clara became a professional musician with the ‘help’ of her father's education and her family's financial reason, and after marriage, she continued it for her many children as well as her husband. Female musicians in the past began to be re-discovered in 1980's, and Fanny and Clara has been evaluated for the first time and re-evaluated respectively in the new light. In the feminist view from which this re-discovery is derived, we observe that their lives as female musicians were undeniably, in their cases, typically influenced by their patriarchal fathers and husbands. |